血滴子（1975）

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：

本片是一出剧中剧：相貌平平的婷（Pitchanart Sakakorn 饰）渴望成为万人瞩目的大明星，为此她在表演进修班刻苦学习。某个夜晚，她受警方邀请成为一名还原凶案过程的演示者。虽然这份工作实在有点阴森奇怪，不过婷却离她的明星梦越来越近。在这一过程中，婷的身边也开始出现诡异现象。某天，泰国选美佳丽敏（Apasiri Nitibhon 饰）遭人杀害，婷意识到这是一个令自己一跃成名的良机，她仔细研究敏的生平和案情，准备全心演好这个角色，不过却因此经历了更多离奇的事件，婷开始更为深入地探究敏被害的秘密。饰演婷的女孩梅在这部恐怖片拍摄过程中也经历了许多怪事，她甚至在现场神秘晕倒。似乎虚幻总与现实相关联，围绕这出根据真实事件改编的恐怖片，更多怪事层出不穷…

简介：Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.

简介：《藍天白雲》故事講述一宗迷離殺人事件。　　中學生Connie (梁雍婷 飾)，Connie天生患有心漏病，朋友不多，計劃謀殺雙親卻自知體弱，因此決定將同班同學Eric (顧定軒 飾)拖下水，兩人成為共犯。Connie於弒親後毫無悔意，案件由重案組女探員Angela(鄧麗欣 飾)接手調查。　　新婚的Angela與患有⽼⼈癡呆症的⽗親(黃樹棠 飾)及老公Tony(李任燊 飾)一起生活，剛懷孕的Angela看似擁有幸福美滿的家庭，卻發現自己的情緒愈來愈受案件影響，慢慢地她似乎開始了解Connie為何會走上這條不歸路…

简介：萨克茜是一位有说话障碍的画家，而安东尼是一位明星音乐人，两人的生活却被一桩神秘的谋杀案打乱了，而他们搬进的新家似乎也隐藏着邪恶的秘密。

简介：

天使1号（黎明）很懒惰，所以选择做了时间、地点、谁该死都不用操心的杀手。天使2号（李嘉欣）很冷艳，是1号的上线，喜欢华服夜出为1号清理房间。天使3号（金城武）很怪异，从不讲话的他爱做的事是半夜撬开别人的店面做生意和拿着摄像机将老爸拍个遍。天使4号（杨采妮）很“现实”，虽无法忘记旧 男友，却也能转身用另外的方式将自己安慰。天使5号（莫文蔚）很神经，喜欢在大雨夜冒出。 　　五位天使在自己的生活轨道上固执寂寞地前行着，为了避免换回更多伤心，他们在轨迹交叉时会提醒自己“忘记他是他”，可是，他们的真情还是会不由自主地流露出来。

简介：杰弗里（凯尔·麦克拉克伦 Kyle MacLachlan 饰）为了照料父亲而回到了久违的家乡小镇，哪知道在误打误撞之中令一场凶杀案件浮出水面，杰弗里就此结识了负责调查此案的警察威廉斯（乔治·迪克森 George Dickerson 饰），以及他的女儿桑迪（劳拉·邓恩 Laura Dern 饰）。桑迪告诉杰弗里，时间的真相或许和一个名叫多萝西（伊莎贝拉·罗西里尼 Isabella Rossellini 饰）的歌女有关。　　美丽神秘的多萝西很快就令杰弗里失去了理智，他偷偷的潜入了多萝西家中，恰巧发现了多萝西正在被一个名为弗兰克（丹尼斯·霍珀 Dennis Hopper 饰）的黑帮大佬虐待的事实。此时的杰弗里才开始意识到，在自己的视线范围之外，发生着很多黑暗而又罪恶的可怕之事

简介：

　　Javier and Felipe are now full-time parents to their daughters. However, the fathers discover the girls are missing something: a mother. To find her, they invite their girlfriends on vacation with a secret plan.

简介：为了和家人一同庆祝感恩节，广告商人尼尔（史蒂夫·马丁 Steve Martin 饰）坐上了飞往芝加哥的飞机，在机场，一个名叫德尔（约翰·坎迪 John Candy 饰）的粗俗男子让他无法忍受，不幸的是，他们在飞机上竟毗邻而坐。本以为忍过两个半小时的旅程就可逃出生天，没想到暴风雪的袭来让飞机更改了航线。　　在误打误撞之中，尼尔和德尔住进了同一个房间，屋漏偏逢连夜雨，小偷的造访又让他们丢掉了所有的家当，无奈之下，两人只得搭火车回家。随着时间的流逝，尼尔发现德尔的个性并非表面上看起来的那般教人无法忍受，两人的关系也渐渐亲密起来。可是，事情并没有就此结束，在一次又一次的意外中，尼尔觉得家离自己越来越远。

简介：戏中，萨德本人从未露面，只存在于六名登场人物的对话中。人物的性格也很分明，西缅男爵夫人代表“美德”、而圣芳伯爵夫人代表“恶行”，门托纽夫人则代表了世俗。尽管两位代表善恶的人物更富有戏剧性，然而全剧的中心仍是主人公露涅和门托纽夫人的对立。　　以剧中人对萨德的态度为例：门托纽夫人认为声名狼藉、锒铛入狱的萨德根本就是家庭的耻辱，而萨德的妻子露涅则截然不同，她真诚地等待着被社会排斥的丈夫，并认为这才是表达真爱的惟一方式。但是，当革命风起云涌，社会价值观也随之改变。萨德出狱并被捧为新时代的旗手，门托纽夫人的态度来了个一百八十度大转弯，她成了萨德的捧哏，称萨德为法国的献身者。　　而露涅的态度却截然相反。丈夫重新被社会承认，意味着她那孤独的爱就此丧失了根基。不仅如此，她读了萨德在狱中写的小说，里面描写了一位坚持美德的女子的悲剧，露涅在作品中看到了自己的影子。她的孤独之爱从根底瓦解了，同时也意识到之前的半生不过是徒劳，于是她投身修道院，再也不与萨德相会。剧中露涅曾说：“与其付诸行动，不如创制法则……”　　这句话也可以理解为“与其委身现实，不如付诸思想”。对原剧作者三岛先生来说，“艺术”无疑是存在于现实之外的、对于异端思想之美的例证。

简介：这是一群高智商男生们的故事。二十世纪八十年代，英国北部的一所男子中学里，八个高中生正积极准备着牛津和剑桥大学的招生考试。这几个男生性格各异。有万人迷，自视甚高的Dakin（多米尼克•库珀 Dominic Cooper 饰）；有四肢发达头脑不简单的Rudge（拉塞尔•托维 Russell Tovey 饰）等。他们对课本对知识有属于自己的解读。　　教他们文学的是个肥胖，教学方式独特的怪老头Hector（理查德•格雷弗斯 Richard Griffiths饰），他主张学生通过课本获得情感上的共鸣和享受，而不是单纯为了升学而读。与他教学模式相反的则是学校新聘请的老师Tom（斯蒂芬•坎贝尔•莫尔 Stephen Campbell Moore 饰）。Tom的目标则是协助这些孩子尽可能考上牛津或剑桥。两种老师的两种教学模式，究竟孰优孰劣，或许并没有一个标准答案。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.