春娇与志明

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask Have you changed

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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博物馆门卫帮助了神秘的访客，巨大的维也纳艺术史艺术博物馆成为一个神秘的十字路口，闪烁着探索的火花，关于他们的生命的、城市，以及反映和塑造世界的方式。

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1961年，我国国民经济正处于严重困难时期，中共中央起草了《人民公社工作条例（草案）》（简称《60条》）。4月1日，国家主席刘少奇回故乡湖南，考察农村工作。当他看见一双双饥饿的眼睛和一张张狼吞虎咽的嘴时，对《60条》是否符合农村实情产生了疑问。他召开干部座谈会听取意见，与会者却闪烁其辞。刘少奇于是到群众中去，与老百姓直接交流，了解到了人们对公共食堂的反感。他把得到的情况写信向毛主席汇报。

简介：现年25岁的厚生劳动省官员鹰野工作繁忙，挣扎于理想与现实之间。他看到一份“因非正规就业而自杀者”名单上有位与自己同龄的年轻人，便开始调查其死亡原因。翠是一位三十多岁的剪纸艺术家，尽管也想生孩子，但与丈夫的关系让她感到不自在。中学二年级的一名班长在帮助朋友后遭到欺凌，为了不让单亲母亲担心，他独自保守着秘密。三人的生命交错在一起时，语言的力量超越了时间，乌云密布的天空闪现出一丝希望。本片改编自英年早逝的和歌诗人萩原慎一郎所著的同名短歌集。

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当朝棋高手范西屏（程皓枫 饰）虽棋艺高超，却不懂自身经营。这天，他应好友袁枚（卢勇 饰）之邀参加其举行的游园会，算是大开了眼界，袁枚利用其智慧，轻而易举地赚到大把银子。袁开导他做人不能太死性，要把才艺变成财富才能体现人生最大价值。袁派女弟子席佩兰（孟霞 饰）培训范西屏，而范也头顶棋圣的光环与各路高手对弈，财富滚滚而来，但他不为所动，偏偏看中了他的心灵调教师席佩兰。然而天不遂人愿，席佩兰嫁了他人，犯了花痴的范西屏大病一场，他开始厌恶这种拿人格和棋艺换钱财的行径。回归本真的范西屏开始追求敢爱敢恨的阿娇（刘凯菲 饰），忌料佳人已名花有主…

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博士魏国（许烨 饰）近来喜事连连，洋妻爱玛（玛利娅 饰）出资成立科贸公司，而董事长就是夫君魏国，且爱玛既将临产，他马上荣升父亲，可谓双喜临门。问题是即将来伺候月子的是东北农村的老妈（李静 饰），观念天差地别的婆媳从此生活在了一起。家中添丁喜坏了婆婆，可儿媳对她饨的猪蹄汤和鲫鱼汤并不感冒，除了可乐她及乎不喝别的东西，婆婆熬制的任何东西儿媳都会倒掉。城门失火，殃及池鱼，雇来的保姆兰兰被炒掉了，究其原因是婆婆舍不得每月1000元的保姆费。兰兰走了，新的问题接踵而至，爱玛要婴儿用尿不湿，而婆婆则坚持用自已做的传统尿布，面对婆媳争端，魏国只好站出来了......

简介：A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself “already dead.”

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　　Ana is a girl from Seville, who's sick of her family and the problematic neighborhood they live in. But things are about to get even worse when her mother, in a desperate attempt not to get evicted, comes up with a cunning plan...

简介：荣获了诸多荣誉和奖章的本·马高（丹泽尔·华盛顿 Denzel Washington 饰）当年曾是一名海军陆战队上尉，第一次海湾战争期间，他所在的小分队夜晚执行搜查任务时遭到伏击，凭借战友雷蒙德·萧中士（利夫·史列巴 Liev Schreiber 饰）的机智与果敢，整个小 队最终化 险为夷，失去知觉的本也多亏雷蒙德才死里逃生。十年后，本在无数个场合讲过这段过去，并大力盛赞雷蒙德的果敢。由于战争期间的出色表现，雷蒙德的仕途一片光明，在参议院的母亲伊丽娜（梅丽尔·斯特里普 Meryl Streep 饰）的协助下，他如今已然成为副总统的候选人。然而就在此时，本却倍感焦虑，在他的心中不断质疑着当年发生的一切，似乎那晚的袭击事件有着另一个不为人知的版本……　　本片根据1962年约翰·弗兰克海默的同名经典影片改编。

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政府研发了一项秘密武器——拳神手套，它能够激活人类大脑中那未被使用的百分之九十部分，从而使使用者爆发超人的能量，十分危险，警察战廿一（张耀扬 饰）成为了手套的首批试用者中的一份子，然而，他的内心不满自己沦为政府操纵的木偶，于是偷走了手套，并且销毁了和手套相关的一切资料。 　　阿风（元彪 饰）和Dark（郑伊健 饰）企图阻止战廿一的阴谋，最终，阿风和战廿一以及拳神手套均失去了踪迹。一晃眼数年过去，战廿一重出江湖，被洗脑的阿风则成为了他的帮手助纣为虐，战廿一企图利用拳神手套的威力统治世界，却遭到了阿虎（王力宏 饰）和铁男（冯德伦 饰）等人的阻挠，两帮人就此结下梁子。