蜥蜴

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：

家里经营自行车行的科沙夫（阿克谢·库玛尔 Akshay Kumar 饰）是一个大龄单身青年，他的老板专横独大，出于迷信要求儿子必须娶一个一只手上有两根拇指的妻子，而为了所谓的黄道吉日还专门安排科沙夫娶了一头母牛为妻。科沙夫虽然唯唯诺诺，可是无时无刻不期待美好爱情的出现。偶然机缘，他邂逅了婆罗门出身的知识女性贾娅（布米·佩德卡尔 Bhumi Pednekar 饰）。最初的龃龉和误会过后，这对身份地位和生活背景都有着巨大差异的男女越走越近，最终喜结连理。然而好景不长，新婚次日贾娅就发现一个严重问题。出于宗教信仰，科沙夫的家里根本没有厕所，包括女性在内必须要去很远的野外解决问题。

简介：暂无相关简介。

简介：A young mute woman, living in a small village, is expecting a baby. Her husband is at the same time writing a novel and using the villagers as his characters. In the creative process, reality and imagination are constantly intertwined.

简介：一个自由奔放的女孩在一次深夜聚会后，发现自己赤身裸体地躺在一座废弃的建筑物里，这让她震惊不已。

简介：对于百万富翁马西米兰来说生活并不容易.他整天忙碌于工作,很少拥有个人时间.因此,当涉及到他所继承的回收公司,他不可能不在乎. 有一天,马西米兰发现了他的孪生兄弟卢卡斯,经过最初的商量后,两人计划交换身份.马西米兰认为可以拥有新的生活,卢卡斯则为率领一个庞大的公司兴奋不已. 马西米兰,爱上了一个比萨饼店老板莲娜,,但她拒绝了他热情的追求. 面对严峻的就业和失败的爱情,马西米兰厌倦了他的新生活.另一方面,卢卡斯却活出了他的梦想.....

简介：

美丽的"冰城"哈尔滨几个年轻人的爱情故事，余潇风与顾晓笙的因善结缘，凌栗与余潇风的青梅竹马，程校长的大胆示爱，雷雨、方格的默默守护，他们的爱情热烈而坎坷，简单而不平凡 ，往后余生，余生是你，他们在爱情面前又会如何选择，陪伴他们共度余生的又会是谁…

简介：The son of a sheriff falls in love with runaway bootlegger's daughter in the Appalachian mountains of Kentucky. After discovering a dark family secret, he is forced to choose between protecting his father or saving the girl he loves.

简介：Актёры Театра Юного Зритепя, Николай Иванович и Зина, в канун Нового Года подрабатывают Дедом Морозом и Снегурочкой. Для Николая Ивановича это не просто заработок - это прежде всего творчество, каждая квартира - это его сцена, его театр. И вот весь вечер Дед Мороз со Снегурочкой поздравляют детей, переезжая из дома в дом, пока не попадают в обыкновенную квартиру, где случается обыкновенное новогоднее чудо...

简介：Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

简介：大学生斯蒂芬妮长期被噩梦困扰，她决定返回家乡寻找噩梦起源，却意外发现曾发生在外婆身上的离奇旧事，并牵连出流淌在整个家族血脉中的秘密：死神诅咒。当她试图破解诅咒密码，却发现死神的镰刀早已垂下……随着身边亲人一个个离奇惨死，斯蒂芬妮还能带领幸存者逃脱死神的宿命猎杀吗？

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,